Villas in Sicily near Taormina >>
What do Goethe, Alexander Dumas, Johannes Brahms, Gustav Klimt, D.H. Lawrence, Richard Wagner, Oscar Wilde, Truman Capote, John Steinbeck, Ingmar Bergmann, Francis Ford Coppola, Leonard Bergman, Marlene Dietrich, Greta Garbo, Federico Fellini, Cary Grant, Gregory Peck, Elisabeth Taylor and Woody Allen have in common?
Simple - they have all sojourned in Taormina, the pearl of the Mediterranean.
Idyllicly perched on a rocky promontory high above the sea, Taormina has been the most popular tourist destination in Sicily for a couple of hundred of years, ever since it became an integral part of the Grand Tour. Beautifully restored mediaeval buildings, breathtaking views around every corner and a giddy network of winding streets strewn with shops, bars and restaurants make for a perfect holiday spot.
Taormina’s past is Sicily’s history in a microcosm: Greeks, Romans, Byzantines, Arabs, Normans, Swabians, the French and the Spanish all came, saw, conquered and left.
Tauromenium, built on Monte Tauro, was founded by Andromacus at the behest of Dionysius the Tyrant of Syracuse in 392BC. The first Punic War saw Taormina falling to the Romans in 212BC and the town became a favourite holiday spot for Patricians and Senators, thus starting Taormina’s long history as a tourist resort.
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After the fall of the Roman Empire, the Byzantines came only to be ousted by the Arabs in 962. They changed the name to Almoezia and set about introducing new agricultural practices (irrigation and citrus fruit farming) and other more cerebral pursuits such as philosophy, medicine and mathematics. Taormina continued to prosper both culturally and economically with the arrival of the Normans in 1079, who, under King Roger de Hautville, threw the Arabs out of Sicily.
After a brief period of Swabian rule, under Frederick II, Charles of Anjou was pronounced King of Sicily by the Pope. The people of Taormina refused to recognise this interloper as their king and, along with a great many other Sicilian towns, joined in the revolt against French rule during the Sicilian Vespers of 1282.
A hundred years of uncertainty followed before the Spanish took over affairs. Evidently impressed with Taormina, they chose Palazzo Corvaja as the seat of the Sicilian Parliament.
The rest, as they say, is storia.
Today, Taormina lives on tourism. Visitors flock from all over the world to see its Greek-Roman theatre, to amble along its perfectly preserved Mediaeval streets, to admire its dramatic views of Mount Etna and to immerse themselves in the archetypal Mediterranean atmosphere.
The main attraction is, without doubt, the theatre. Now home to all manner of events, including plays, fashion shows, concerts, and cinema festivals, the Teatro Greco, as its name suggests, started its life in the 3rd Century BC hosting performances of works by Aeschylus, Sophocles, Euripides and Aristophanes. Originally quite small, it was enlarged by the Romans to accommodate their own particular brand of theatrical extravaganza. The views from the theatre are spectacular, taking in a (usually) smoking Mount Etna and the Bay of Naxos down below.
Another testimony of Taormina’s ancient origins is the Odeon. Right in the middle of the old Roman town, just below Palazzo Corvaja, this small theatre was built by the Romans when the town became a military colony in 21BC. It was used both for theatrical and musical performances organised for the cream of local society. Strangely, at some point it disappeared, only to resurface again in 1892 when a blacksmith hit upon something that turned out to be red bricks while digging his land. He dug a little deeper and called in the experts who uncovered first the cavea, then the orchestra and finally the scene.
Taormina is centred around its main thoroughfare, Corso Umberto I. At the beginning of this charming street is perhaps the greatest symbol of Taormina’s long varied history: Palazzo Corvaja. Its architecture is a sublime mix of Arab, Norman and Gothic and includes battlements, mullioned windows and shady courtyards. The Arabs built the original tower as part of the town’s defences. Its cubic structure, which is typical of many Arab towers of this period, is thought to have evoked that of the Ka’aba in Mecca. In the 13th Century the tower was enlarged by the Normans who added a wing containing a hall and some wonderful artwork. The Spanish followed suit, adding another wing at the beginning of the 15th Century to house the Sicilian Parliament. Its present name recalls one of the town’s most important noble families who owned the building from 1538 to 1945.
For the first half of the 20th Century, until after the 2nd World War, Palazzo Corvaja became a kind of lodging house for poor families and fell into disrepair. After the war it was restored to its former glory and in 1960 another section was added to house the local tourism offices. The main part now houses the Sicilian Museum of Art and Popular Traditions.
At the other end of Corso Umberto I is Piazza del Duomo, complete with 13th Century Cathedral and Baroque fountain. As with many churches of this period in Sicily, the Duomo, dedicated to Saint Nicholas of Bari, has a distinctly fortress-like quality thanks to its robust structure and the battlements that delineate the roof. Its Renaissance doorway belies an essentially Gothic interior complete with a rose window at the west end.
Taormina is served by its very own cable car which ferries tourists to and from the seaside resorts down along the coast. Extensive beaches, rocky coves, tiny islands (such as the famous Isola Bella) and sea stacks abound, making this enchanting coastline a firm favourite with Sicilians and visitors alike.
Villas in Sicily near Taormina >>